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RX 6 offers powerful new features and an enhanced workflow built to meet the needs of professional engineers in music, post-production and broadcast. With this release, we have addressed some of the most pressing problems encountered by our veteran users. Welcome to the most dynamic edition of RX to date!

Clean up multiple tracks at the same time in the RX Audio Editor

• Composite View: Collect up to 16 audio files into a single, composite view within the RX Audio Editor. Make an edit, or select a process, and have it instantly applied across every file, saving hours on film scores, drum tracks, live recordings, and more.
  

3 new modules in RX 6 Advanced built on iZotope’s innovations in machine-learning and intelligent signal processing

• De-wind: designed to reduce or remove intermittent low-end wind rumble that occurs when wind blows into a microphone.
  
• De-rustle: removes distracting lavalier microphone rustle and other rustling sounds from your dialogue.
  
• Dialogue Isolate: extracts dialogue from noisy backgrounds and lets them take center stage.
  

New tools for music, podcasts, and audiobooks, available in RX Standard & Advanced

• De-ess: Tame harsh sibilance and piercing transients with our new Spectral De-essing algorithm and a VCA model for a more classic sound. De-ess is available as a module and as a plug-in.
  
• Mouth De-click: Remove mouth clicks and smacks with this new module and plug-in built specifically for cleaning up dialogue, vocals, and voiceovers.
  
• Breath Control: Attenuate breathy tracks without destroying the life and intimacy of the performance.
  
• De-bleed: Reduce or eliminate bleed on drums and other acoustic instruments like piano, vocals, guitar, and even click tracks.
  
• MP3 Export: Export and Batch Process MP3 audio files directly from RX 6 Audio Editor.
  

Improvements & optimizations across all of RX

• Find All Similar: Locate and identify problem sounds like beeps, bird chirps, or clicks more quickly and accurately with the addition of Find All Similar.
  
• Module List Filters: select the features you use most often and save them as presets for different workflows.
  
• Low-latency De-click: an improved algorithm inside the De-click plug-in for real-time processing.
  
• Refined UX & UI: Find the tools you need faster and use them more efficiently with extensive improvements to usability across RX Audio Editor and RX Plug-ins.
  
• RX 6 Elements: The powerful tools of the RX Plug-in Pack (De-clip, De-click, De-hum and Voice De-noise) are combined with the RX 6 Audio Editor for analysis, spectral editing, and offline processing.
  

Overview

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The Resample module allows you to convert an audio file from one sampling rate to another.

Sample Rate Conversion (SRC) is a necessary process when converting material from one sampling rate (such as studio-quality 96 kHz or 192 kHz) to another rate (such as 44.1 kHz for CD or 48 kHz for video).

It is common to record and edit in high sampling rates since higher rates allow higher frequencies to be represented. For example, a 192 kHz audio sample can represent frequencies up to 96 kHz whereas a 44.1 kHz audio sample can only represent frequencies up to 22.05 kHz. The highest frequency that can be represented accurately by a sampling rate is half of the sampling rate, and is known as the Nyquist frequency.

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When reducing the sampling rate, or downsampling, it is crucial to remove the frequencies that cannot be represented at the lower sampling rate. Leaving frequencies above this point causes aliasing. Aliasing can be heard as the frequencies in an inaudible range are shifted into an audible range, causing distortion and noise. With iZotope SRC’s steep low-pass filter, users can completely avoid the common aliasing artifacts while maintaining the maximum frequency content.

Link: Comparison of iZotope's SRC process

• A comparison of iZotope’s SRC process versus other sample rate convertors can be viewed at: http://src.infinitewave.ca/
  

Rx 6 Reviews

Controls

Note about the red aliasing curve display

• The Aliasing portion of the curve displayed in red shows the reflected frequencies during downsampling or imaged frequencies during upsampling — both due to aliasing.
  

Izotope Rx 6 Audio Editor

• New sampling rate: This setting chooses the sampling rate you want to convert to. Choose a sampling rate from the drop-down list, or click on the field to type in a custom sampling rate.
  

• Change tag only: Changes the declared sampling rate of the file in the file’s properties without resampling the file, effectively changing the playback rate and pitch of the file.
  

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  When to use Change Tag Only option

  • This feature is useful if the sampling rate tag was damaged by a previous audio editing process and the file is playing back incorrectly.
    

• Filter steepness: This allows you to control the steepness of the SRC filter cutoff. The white line is representative of an ideal low-pass filter.
  

  Note about higher filter steepness values

  • Higher filter steepness means better frequency performance of the filter: wider passband retains more useful signal, while stronger stopband attenuation provides better rejection of aliasing. At the same time, higher steepness of the frequency response requires a longer filter, which produces more ringing in time domain and energy smearing near the cutoff frequency.
    

• Cutoff shift: SRC filter cutoff frequency shift (scaling multiplier).
  Allows shifting the filter cutoff frequency up or down, to balance the width of a passband vs. amount of aliasing.

• Pre-ringing: SRC filter pre-ringing amount in time domain (0 for minimum phase, 1 for linear phase, or anywhere in between).
  Adjusts the phase response of the filter, which affects its time-domain ringing characteristic. The value of 0 produces a minimum-phase filter, which has no pre-ringing, but maximal post-ringing. The value of 1 produces a linear-phase filter with a symmetric impulse response: the amount of pre-ringing is equal to the amount of post-ringing. Intermediate values between 0 and 1 produce so-called intermediate-phase filters that balance pre- and post-ringing while maintaining linear-phase response across a possibly wider range of frequencies.

• Post-limiter: Keeps true peak levels of the output signal below 0 dBTP to prevent any clipping from occurring.
  

  When to use the post-limiter

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  • This option is important when resampling signals that are very close to 0 dB, because filtering during resampling can change peak levels of a signal.
    
  • Engage the Post-limiter option in order to limit the output levels of your signal to prevent any clipping from occurring.